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News from ColdSnap Photography
March, 2009
ColdSnap Photography 
 
Spring I Newsletter
In This Issue
Digital Salons
Advanced Camera Controls
Quick Links   &  New Workshops  
 Learn how to shoot, process, and print stunning panoramic photographs. This weekend workshop will take you through the step by step process of camera/bracket/tripod set-up, image capture, post processing, image stitching, and printing a panoramic image.
 
$395.00
Maximum of 8 Participants 

More QuickLinks
 
There are still openings in these up-coming workshops.
 
 
These workshops are perfect for the beginner to intermediate photographer. They are low cost, 2-3 day weekend workshops and limited to 6-10 participants. For more information or to register click on the links above or call us at (218) 834-0756.
Waterfront Gallery
 
Badlands Landscape 
 

Waterfront Gallery

 Now Showing: Permanent Collection of John Gregor and Val Doherty 

Waterfront Gallery features artwork, jewelry, ceramics, books, music and more!

Featured ColdSnap Photography Workshop Links:

Both The Art Of Seeing and Newfoundland workshops are half full! 

Complete Schedule can be found here:
 

 

Places To Go
The National Eagle Center in Wabasha, Minnesota is hosting several "Soar with the Eagles" events during the month of March.
 
TCACCC Spring Break
Spring Break is April 4, 2009
 
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Greetings!
 Temperance River Outlet
The really big news this month is the addition of a new REI "Art of Seeing" workshop in Chicago IL! The new Lincoln Park REI store has chosen to offer Chicago area residents our popular two day digital photography workshop. We have worked with the Bloomington MN REI for almost 10 years offering a springtime photography workshop. Randy and I are excited to bring this workshop to a new market.
 
This month's newsletter offers my opinions about camera club competitions. Always a controversial subject but I thought I would add my 2 cents worth. The technical section is about camera controls.
 
After a brief warming trend the north country has returned to typical winter temperatures. The lake has ice formations once again. Typically the first week or two of March is good stack ice season--in fact many of you may recall that in last month's newsletter I was proclaiming an excellent year for stack ice. Our recent warming trend melted most of the ice that had formed on the lake. The lesson here is: you can never predict what the lake will do.
 
As always I appreciate your comments, and suggestions. If you come up north the teapot in the gallery is always on.
 

Sincerely,
John Gregor
 
Remember you can now see an archive of these newsletters at: http://www.coldsnap.com/newsletter/n_index.htm 
Digital Salons
 
Discovery on the banks of the Mississippi River 
Last week I had a chance to spend a couple of days with Bill Kingsbury (Grafton North Dakota) and Tom Alves (Farmington Minnesota.) We were in Wabasha looking for eagles to photograph along the Mississippi River. Unfortunately for us unseasonably warm weather opened most of the river and the birds has dispersed making for difficult eagle photography. We spent our days driving the shores of the river looking for whatever subjects attracted our eye. The above houseboat was good for about an hour's diversion. Bill showed me some great B&W's he made there.
 
Tom Alves is an active member of the Minnesota Nature Photography Club. Our discussion turned to club competition and salon judging. This is always a controversial topic and indeed it was good for several hours of animated conversation.  The Minnesota Nature Club adheres to the PSA rules for submitting image for salon judging. The rules are reprinted here:

All digital images used in PSA Nature Division approved competitions or for competitions or for competitions governed by PSA Nature Division rules must be considered "Digital Realism".

"Makers may perform any enhancements and modifications that improve the presentation of the image that could have been done at the time the image was taken but that does not change the truth of the original nature story. Cropping and horizontal flipping (equivalent to reversing a slide) are acceptable modifications. Addition of elements, removal of elements other than by cropping, combining elements from separate images, rearranging elements or cloning elements are not acceptable."
 

I would offer the following advice to the rules committee for the MN Nature Club or any photography club. Why not take the above rules one step further. State that the photographer must make any adjustments to the photograph in camera prior to making the image. All major brand DSLR's have "picture style" settings that control: color, contrast, sharpness, and saturation. The photographer can adjust these as they see fit to achieve the look and feel of the final image.
 
Images would be shot and saved as JPEGs. If the photographer wanted to adjust the image or have a copy for print making purposes they could simply set the camera to save a Raw+JPEG version. 
 
 
This slight alteration in the rules draws a very clear and clean line. Camera Raw converters are becoming more and more sophisticated. Photoshop CS4 now offers a "localized adjustment brush" in the converter process. Under the current rules a photographer is left wondering how much alteration in the Raw converter is equal to an improvement that could have been done at the time the image was taken. By only accepting JPEG images with picture styles set prior to making the image there is no ambiguity. Accepting only in-camera images, I believe, gets closer to the tried and true standards of film days when Color Slide Film was; what you see is what you get.
 

I would further urge MN Nature, or any other club, to open a second category. This category could be called the "Digital Open Imaging Category." The purpose of this category would be to allow photographers who enjoy post processing their images an avenue to work the image prior to judging. Again this judging format is not far from the film days when photographers enjoyed two salons: slide judging and print competitions. Print salon competitions usually allowed the photographer to alter their image through burning dodging and even in some clubs; composite printing. Images submitted to the "Digital Open Imaging Category" would be judged purely on the merits of the content seen on the screen.
 

These changes would clarify the acceptable rules by which all the photographers in the club compete. They would also accommodate a variety of shooting styles and aesthetics. This process fits nicely with the goals of the Club's mission statement: continuing education in the art, science and technique of nature photography; evaluation of members' photography; appreciation and enjoyment of the outdoors; and fellowship.
 
John Gregor
February, 2009 


Advanced Camera Controls

Almost all digital SLR's have the capability to customize or alter the look and feel of the final image beyond the controls of: exposure, resolution, white balance, ISO, and focus. These Whitefish Pointcontrols are typically found in the camera's menu selection.
Use of the Advanced Camera Controls are for photographers who are capturing in the JPEG format only. If you use the Raw file format these adjustments are over-ridden when you make alterations in your Camera Raw converter software.

Turn on your camera and open the Menu options on the back of the camera. I will review these options for Canon and Nikon Cameras separately. If you own any other make of camera you will have to consult your camera's manual for the proper adjustments.

A note about Color Space:
Canon users can set color space as a separate Menu option, Nikon users can set color space in the sub-Menu in "Optimize Image." Either method you use remember the following rule of thumb:
Select "sRGB" color Space if you don't plan to retouch or post-process your images, select "Adobe RGB" for a larger color space that works best for retouching and post-processing.

 Canon users:
Select the "Picture Style" option. You have the following options to customize the look of the image file:
Standard
Portrait
Landscape
Neutral
Faithful
Monochrome
User Def. 1
User Def. 2
User Def. 3
Each of the above presets can be further customized by pressing the "Jump" button next to the "Menu" screen. The "Detail Set" menu offers the following adjustments;
Sharpness
Contrast
Saturation
Color Tone
The above adjustments are self explanatory except for "Color Tone" which Canon describes as follows:
Adjustment set to -4 means "Redish skin tone
Adjustment set to +4 means "Yellowish skin tone
OK, now that is cleared up....
 
In the Monochrome preset Canon offers the photographer the following settings:
Sharpness
Contrast
Filter effect: None, Yellow, Orange, Red, Green; these settings approximate the filter used with B&W films
Toning effect: None, Sepia, Blue, Purple, Green; why would anyone want a Purple or Green Monochrome image?
 
Nikon users:
Select your "Shooting Menu" options. Under "Optimize Image" you have the following presets (these are the menu settings found on D-200 other camera models may vary slightly):
Normal
Softer
Vivid
More Vivid
Portrait
Custom
B&W
 
Only the "Custom" preset allows the photographer to alter the following settings:

 
Image Sharpness; adjustments are self explanatory.
 
Tone Compensation; adjusts the Contrast-why don't they just call it "Contrast"

 
Color Mode; Option I means your file will be saved as a "sRGB file,"-for portrait images. Option II means your file will be saved as an "Adobe RGB file." Option III means your file will be  saved as a "sRGB file"-for nature or landscape images. See note on color space above.
 
Saturation; adjustments are self explanatory.
 
Hue; positive values give an increasingly yellow cast to the image, negative values give an increasingly blue cast to the image.

 
Experimentation with these settings is the key. Adjusting the image file output is as personal as your vision, only through a process of trial and error will you arrive at something suitable for your tastes.
About Us

ColdSnap Photography offers premier photographic workshops in Minnesota and locations through-out the world. For more information feel free to contact us via email at john@coldsnap.com, or call (218) 834-0756.


John Gregor
ColdSnap Photography
632 First Ave
Two Harbors, MN 55616
Phone (218) 834-0756