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July, 2009
ColdSnap Photography 
 
Summer I Newsletter
In This Issue
Environmental Portraiture
To Profile or Not To Profile
Newfoundland!
Waterfront Gallery
 
Badlands Landscape 
 

Waterfront Gallery

Announces an expansion of their facility!

Coming in Fall of 2009 an expanded gallery floor and product offerings!
 
Opening August 1 "The American West" Select Photographs by Val Doherty and John Gregor.
 
Waterfront Gallery features artwork, custom framing, jewelry, ceramics, books, music, and complete photo-restoration services!
 
QuickLinks
 
There are still openings in these up-coming workshops.
 
 
These workshops are limited to 8-12 participants. They are fun educational and will get you into places where great photographs can be made. For more information or to register click on the links above or call us at (218) 834-0756.
Portraits By ColdSnap
 
Make your next family portrait a photographic adventure.
 
We have over 30 year experience and offer you the largest freshwater backdrop in the world. Call (218) 830-0767 to book your session now!
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Greetings!
 
Change is the only constant in life.
 

Those of you who know me and know ColdSnap may not readily think of portrait photography when you think of me or ColdSnap Photography. Those of you who know me really well will know that I have my photographic roots in photographing people. I Hubert Humphrey Funeralgraduated from the University of Minnesota, University Without Walls Program (I was much too independent to complete a conventional degree program-I wonder where my daughters get their independent streak...) with a degree in "Documentary Photography of American Culture." The attached photo is from Hubert Humphrey's Funeral in 1977 which I covered for the school newspaper at North Hennepin Community College. This photo won "Best Spot News Photo of the Year " for Minnesota College Newspapers.
 

ColdSnap Photography is proud to announce the expansion of their services and facilities. In August of 2009 ColdSnap will move its office and classroom into the space next door to Waterfront Gallery. This new storefront will house our classroom, offices, and client reception area. ColdSnap Photography is now offering Family and Senior Portraiture. In addition I am in the process of renovating my old studio space located up Highway Three. By August I expect to have a fully functioning portrait studio at that location.
 

ColdSnap Photography will continue to offer great photographic workshops in the lab and on location. I am in the process of developing the 2010 workshop offerings. Several of these workshops will be specific to photographing people.

This month's newsletter includes an article on photographing people in landscape, and using or not using printer profiles.

Sincerely,
John Gregor

 
Remember you can now see an archive of these newsletters at: http://www.coldsnap.com/newsletter/n_index.htm 
Environmental Portraiture 
 
Erin on rocksA photographic portrait can say a lot about a person. A Landscape photograph can say a lot about a place. Put them together and you can tell a story about the person and their place in the world. The challenges of environmental portraits are that they require good photographic technique for landscape as well as portraiture. Your subject must appear comfortable in their surroundings, visually integrate with the elements of the landscape, and the landscape aspects of the image must also be compelling. This is no small feat. Timing is everything; light, subject posture, and expression have to merge to create an interesting photograph.

Light;
Environmental portraits can be made in any environment indoors or out. Both situations require a good command of your photographic technique and knowledge of "fill flash." Because all uses of your flash should be considered "fill flash," anytime you use flash you should be thinking about how to integrate it with the ambient light that exists in the scene.  I don't have the space in this article to adequately cover use of flash I will put that off for another article at a later date.  Just about any ambient light can be used for portraiture. Mid-day sun is harsh, if you have no choice but to shoot under these conditions consider back lighting your subject and fill in with your flash in TTL mode.

Place;
Your depiction of the environment in an Environmental Portrait is a critical component of a compelling image. Equal regard must be placed on the surroundings as well as the person. Emphasize the intriguing aspects of the landscape. For instance if the sky is dramatic make sure you include plenty of it in the photograph.  Scout locations before your photo shoot. You may want to go so far as to photograph the landscape first and then look at the resulting image and consider where you would place a person within the image.

Placement;Erin leaning towards motorcycle
Where you ask your subject to pose. Your subject should feel comfortable and safe in the environment where you are photographing them. Allow them to get settled in. Tell them about the image you envision, and ask if they have any ideas to add to the image making session. Good portraiture is collaboration between the photographer and subject.

Timing;
Have your subject move or go about their business as usual. Spend the first few minutes observing them. If you are having them walk through a landscape just watch them the first time through. You should be watching them to see at what moment all the elements of the image converge for greatest impact. You can then ask your subject to repeat the process for purposes of the actual photograph.

Experiment, take chances, and most important have fun!
To Profile or Not To Profile; 
 
 that is the question.



Most Photoshop guru's will tell you that the only way to get good consistent print results is to profile your images in Photoshop and then choose "Photoshop Manages Color" in the printer dialog box.  Ever ready to serve as the contrarian I say; "Bunk! And More Bunk!"
 

Many times profiling in Photoshop will work wonderfully, and while the results coming off your printer will never (EVER) look exactly like your computer's monitor, they are reasonably close. Close enough that you are able to get a general idea of what the image will look like prior to printing it.
 Val basking in the wind with daisies

My color management workflow is as follows:
 

Shoot in Camera Raw format.
 

Convert in Adobe Camera Raw--use ProPhoto RGB Color Space
 

Open in Adobe Photoshop-Selectively edit in Photoshop to create look and feel of image.
 
Convert to Printer/Paper Profile prior to sending the image file to printer.
 
I have obtained my printer profiles from downloading them free from Epson, or the paper manufacturers of the paper/canvas types that I use. These free profiles can range in quality from excellent to poor.
 

"Well," says the Photoshop guru "you need to purchase custom profiles that will solve your problem."
 

Custom profiles are specific printer profiles that are written for specific printers and paper types. Custom profiles typically run about $100 per profile. I own and use three different Epson Printers; I select from approximately 8-10 different media types (I like to experiment so my paper stocks are in constant flux.) The only problem that custom profiling will solve is the bank account balance of the service bureaus providing me the custom profiles!
 
Here is what I have found after several years of working with printer profiles and dozens of different photographers who have taken print making or digital imaging workshops from me.
Generic profiles work pretty well when you are working with the latest generation of printers, and camera files. If your camera or the printer is older than about 3 years the profiles may or may not work well. If your paper profile is coming from a smaller paper company it may not work well. Most of Epson's and Hahnemuhle's profiles are pretty good-I have not had much luck with Moab's profiles.
 

What to do when a paper profile does not result in a good looking image:
Don't freak out it's not  the end of the world. Go back to the ProPhoto RGB color space image file. Convert to Adobe 1998 RGB Color space. Edit the image as you normally would in Photoshop. When you are ready to send it to the printer select "Printer Manages Color" in the printer dialog box. With Epson Printers you should select the "Color Controls" under "Media Settings/Mode." This means that in essence you are allowing the printer to profile the image prior to output.
 

Is this a bad thing? Epson is a multi-billion dollar world-wide corporation. They employ over 72,000 people (by comparison Adobe employees a little over 7,000, and most paper manufacturers are considerably smaller yet) don't you think that the Epson Corporation has the resources to hire people who can figure out how to make an image file look pretty good when it comes off of their printers? Try it you might be surprised. I suspect that the results are the same when working with HP or Canon printers.Val lying in the daisies
 

Using this method will  mean that you may have to print a test print and then adjust the color and or density/contrast before making the final image. 
Something that I usually need to do even with the best of printer profiles.
 

In particular I have found that Moab Entrada paper profiles render an image that is contrasty and wholly un-appealing. However, when I send an Adobe 1998 RGB image to the printer (with some extra magenta added to the file) it comes out of the printer looking very nice. The colors are soft and pastel like, a very acceptable print. 
 
  
Don't be afraid to experiment. This is the only way that you will find a color management workflow that will work for you.

 
Newfoundland!
Puffins on Bonavista Peninsula 
About Us

ColdSnap Photography offers premier photographic workshops in Minnesota and locations through-out the world. For more information feel free to contact us via email at john@coldsnap.com, or call (218) 834-0756.


John Gregor
ColdSnap Photography
632 First Ave
Two Harbors, MN 55616
Phone (218) 834-0756